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                  <text>The Greater Hudson Heritage Network (GHHN) and the New York State Council on the Arts (NYSCA) are awarding $177,384 in conservation treatment grants to 28 organizations, located in 18 New York counties. Conservation Treatment Grants fund professional conservation to stabilize and preserve historical objects and works of art in New York museums, history centers, and cultural organizations. &#13;
&#13;
The Robert David Lion Gardiner Foundation is generously providing 50% of the funding for conservation treatment projects on Nassau &amp; Suffolk counties and New York City.&#13;
&#13;
Over the past year, the NYSCA/GHHN Conservation Treatment Grants guidelines were revised to make funding more accessible for projects that reflect the spectrum of communities and cultures across New York State. Supported conservation projects include a yueqin, a traditional Chinese pluck string instrument from the Museum of Chinese in America; an early 19-century Medicine Chest &amp; Glass Bottles from the Quogue Historical Society; 16th-century oil-on-wood-panel painting of Madonna and Child in a Landscape by Andrea Previtali (ca. 1580-1528) at the Yager Museum of Art &amp; Culture at Hartwick College; Tony Bennett’s portrait of Louis Armstrong at the Louis Armstrong House Museum; and a settle (bench) designed by Frank Lloyd Wright for Graycliff. A full list of recipients can be found below.</text>
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              <text>$7,500 for the conservation of a coverlet owned by Matilda Landon Mulford (1833-1899). &#13;
&#13;
Conservator: The Textile Conservation Workshop&#13;
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                  <text>The Greater Hudson Heritage Network (GHHN) and the New York State Council on the Arts (NYSCA) are awarding $191,886 in conservation treatment grants to 32 organizations, located in 16 New York counties. Conservation Treatment Grants fund professional conservation to stabilize and preserve historical objects and works of art in New York museums, history centers, and cultural organizations. The Robert David Lion Gardiner Foundation is generously providing 50% of the funding for conservation treatment projects in Nassau &amp; Suffolk counties and New York City.&#13;
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              <text>&lt;a href="https://www.textileconservationworkshop.org/" target="_blank" rel="noreferrer noopener"&gt;The Textile Conservation Workshop&lt;/a&gt;</text>
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              <text>$3,365 for the conservation of a Service flag, also called a Blue Star Mothers Flag (c.1917). &lt;br /&gt;Designed and patented by WWI Army Captain Robert L. Queisser in 1917, the flag quickly became the unofficial symbol of a child in service. As they often hung outdoors, few survive. &lt;br /&gt;&lt;br /&gt;Conservator: The Textile Conservation Workshop</text>
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              <text>$7,500 for the conservation of a 19th century Black doll.&#13;
The doll will become part of an exhibition focused on the Bowne and Parsons families’ involvement in the Abolitionist Movement and the Underground Railroad as well as the free Black community within Flushing.&#13;
&#13;
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                  <text>Greater Hudson Heritage Network (GHHN) is awarding $138,157 in conservation treatment grants to 25 organizations, located in 19 counties of New York State, in partnership with the New York State Council on the Arts (NYSCA). In 2021, 43 grant applications were received from institutions from 25 counties in New York State, requesting an aggregate of $289,862 in grant support. In all, requests were made for the treatment of 70 objects of which 25 organizational awards totaling $138,157 were recommended by a peer panel of conservators, curators, and museum professionals. Of the 25 institutions that received funding, 22 received full funding and 3 partial funding. 2021 Conservation Treatment Grant awards range from $1,920 to the maximum amount of $7,500.&#13;
&#13;
Of the 43 applicant institutions, 25 had budgets under $300,000, 10 had budgets over $300,000 but below $1 million and 8 organizations had general operating budgets over $1 million. Organizational operating budgets of 2021's grant recipients span a stunning range from $830 to $32 million.&#13;
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This year 41 grant applications were received at GHHN from institutions from 26 counties in New York State, requesting an aggregate of $236,164 in grant support. In all, requests were made for the treatment of 67 objects of which 22 organizational awards totaling $115,739.19 were recommended by a peer panel of conservators, curators, and museum professionals. Of the 22 institutions that received funding, 15 received full funding and 7 partial funding. 2020 Conservation Treatment Grant awards range from $1,440 to the maximum amount of $7,500.&#13;
&#13;
Of the 41 applicant institutions, 19 had budgets under $300,000, 9 had budgets over $300,000 but below $1 million and 13 organizations had general operating budgets over $1 million. Organizational operating budgets of 2020's grant recipients span a stunning range from $3,200 to $104 million.</text>
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              <text>A Signature Quilt made in Peconic, New York, by Harriet Penny Jefferson (1850-1935) circa 1880, with 36 hand pieced squares with cotton batting and backed with a mourning print</text>
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              <text>Harriet Penny Jefferson (1850-1935)</text>
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              <text>&lt;a href="https://www.textileconservationworkshop.org/"&gt;Textile Conservation Workshop&lt;/a&gt;</text>
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              <text>Oysterponds Historical Society</text>
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              <text>Mary Kaldany of the Textile Conservation Workshop</text>
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          <name>Amount Funded</name>
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                <text>Linen Civil War Recruitment Broadside, "Zouaves 5 th New York Volunteers"</text>
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                <text>Linen Civil War Recruitment Broadside, "Zouaves 5 th New York Volunteers"</text>
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              <text>Hillwood Art Museum, L.I. University</text>
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              <text>Patsy Orlofsky, Karen Nelson Clark and Katherine Barker of the Textile Conservation Workshop</text>
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            <elementText elementTextId="5557">
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            <description>An account of the resource</description>
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                <text>Pre-Columbian</text>
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          <name>Holding Institution</name>
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              <text>Frances Lehman Loeb Art Center</text>
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              <text>Sarah Buck</text>
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              <text>Karen Nelson Clark of the Textile Conservation Workshop.</text>
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            <elementText elementTextId="5469">
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                <text>1829</text>
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                <text>Peruvian Feather Worker's Basket</text>
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              <text>Mount Vernon Hotel Museum &amp; Garden</text>
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              <text> Silk Calash-Style Bonnet and its mount</text>
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        <name>2006</name>
      </tag>
      <tag tagId="452">
        <name>Mount Vernon Hotel Museum</name>
      </tag>
      <tag tagId="94">
        <name>The Textile Conservation Workshop</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
