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                  <text>The Greater Hudson Heritage Network (GHHN) and the New York State Council on the Arts (NYSCA) are awarding $177,384 in conservation treatment grants to 28 organizations, located in 18 New York counties. Conservation Treatment Grants fund professional conservation to stabilize and preserve historical objects and works of art in New York museums, history centers, and cultural organizations. &#13;
&#13;
The Robert David Lion Gardiner Foundation is generously providing 50% of the funding for conservation treatment projects on Nassau &amp; Suffolk counties and New York City.&#13;
&#13;
Over the past year, the NYSCA/GHHN Conservation Treatment Grants guidelines were revised to make funding more accessible for projects that reflect the spectrum of communities and cultures across New York State. Supported conservation projects include a yueqin, a traditional Chinese pluck string instrument from the Museum of Chinese in America; an early 19-century Medicine Chest &amp; Glass Bottles from the Quogue Historical Society; 16th-century oil-on-wood-panel painting of Madonna and Child in a Landscape by Andrea Previtali (ca. 1580-1528) at the Yager Museum of Art &amp; Culture at Hartwick College; Tony Bennett’s portrait of Louis Armstrong at the Louis Armstrong House Museum; and a settle (bench) designed by Frank Lloyd Wright for Graycliff. A full list of recipients can be found below.</text>
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              <text>$7,500 for the conservation of a coverlet owned by Matilda Landon Mulford (1833-1899). &#13;
&#13;
Conservator: The Textile Conservation Workshop&#13;
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                  <text>Greater Hudson Heritage Network (GHHN) is awarding $115,741 in conservation treatment grants to 22 organizations, located in 14 counties of New York State, in partnership with the New York State Council on the Arts (NYSCA). &#13;
&#13;
This year 41 grant applications were received at GHHN from institutions from 26 counties in New York State, requesting an aggregate of $236,164 in grant support. In all, requests were made for the treatment of 67 objects of which 22 organizational awards totaling $115,739.19 were recommended by a peer panel of conservators, curators, and museum professionals. Of the 22 institutions that received funding, 15 received full funding and 7 partial funding. 2020 Conservation Treatment Grant awards range from $1,440 to the maximum amount of $7,500.&#13;
&#13;
Of the 41 applicant institutions, 19 had budgets under $300,000, 9 had budgets over $300,000 but below $1 million and 13 organizations had general operating budgets over $1 million. Organizational operating budgets of 2020's grant recipients span a stunning range from $3,200 to $104 million.</text>
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              <text>A Signature Quilt made in Peconic, New York, by Harriet Penny Jefferson (1850-1935) circa 1880, with 36 hand pieced squares with cotton batting and backed with a mourning print</text>
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              <text>&lt;a href="https://www.textileconservationworkshop.org/"&gt;Textile Conservation Workshop&lt;/a&gt;</text>
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                <text>&lt;em&gt;The Artist's Studio&lt;/em&gt; and &lt;em&gt;Cedar Beach in Winter&lt;/em&gt;</text>
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                <text>Two Peconic School oil paintings, &lt;em&gt;The Artist's Studio&lt;/em&gt; and &lt;em&gt;Cedar Beach in Winter&lt;/em&gt;</text>
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                <text>&lt;em&gt;Deacon Moses Conklin Cleveland&lt;/em&gt;, and &lt;em&gt;Henry Irving Fitz (as a boy)&lt;/em&gt;</text>
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                <text>Two 19th century oil portraits by Long Island artists, &lt;em&gt;Deacon Moses Conklin Cleveland&lt;/em&gt; by Orlando Bears, and &lt;em&gt;Henry Irving Fitz (as a boy)&lt;/em&gt; by Edward August Bell</text>
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