Abigail Underhill sampler, 1800
American sampler
Abigail Underhill
"Morning"
A circular bas relief plaster roundel. The roundel depicts a woman's head in profile with a flower in her hair set atop cherub wings. A rising sun appears in the background. The plaster is enclosed in a glazed, gilt shadow box frame.
Erastus Dow Palmer (1817-1904)
“Miss Lena Horne, Opening no., Lou Leslie’s Blackbirds of 1938”, “The Reverse, Cotton Club.” , “Minnie the Moucher, Cotton Club.” and “Calypso, Cotton Club.”
four costume design renderings created by Frances Feist for musical revues performed at the Cotton Club between 1937 and 1939
Frances Feist (1910-1995)
Decorative plaster pedestal of <em>The Brook</em> (1901)
A decorative plaster pedestal of The Brook (1901), a sculpture by Isidore Konti. This sculpture was Konti’s initial conception for a lost marble fountain at Samuel Untermyer’s estate in Yonkers. The pedestal is a cast plaster bell-shaped, hollow form with a flat top made of wooden slats. Surrounding the exterior of the pedestal is a relief depicting several putti interacting with water animals (ducks, fish)
Isidore Konti
1901
<em>Crown Point</em>
oil on canvas
James Hope
Janes & Kirtland, Beebe Model (No. 1),six-plate cast iron cooking stove
Janes & Kirtland (mid-19th century)
<em>West Elevation</em> and <em>North Elevation</em>
Lewis W. Leeds
<em>Champion 1909, 1910, 1911</em>
A matte silver gelatin DOP mounted overall onto a non-original mat board and frame of an iceboat on Sodus Bay, showing the champion racer from 1909-1911. Handwriting on bottom right area of the image in graphite reads: “Copy by / Russell / LYONS.” Inscription with blue ink reads: “Champion 1909, 1910, 1911.”
Russell (possibly Albert L. Russell, studio in Lyons, NY)
c. 1911
<em>View of the Schoharie, 1826</em>
oil on canvas
Thomas Cole (1801-1848)
<em>Portrait of Alice Pomroy Kenan as Baby</em>
oil on canvas
Unknown
c 1866